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Cecelia Condit

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Cecelia Condit is an American video artist and educator whose provocative works such as “Possibly in Michigan” and “Beneath the Skin” have made a lasting impact on the realm of video art.

Condit’s work often blends elements of horror, fantasy, and female identity, weaving complex narratives that both unsettle and enthrall audiences. Among her most popular pieces are “Possibly in Michigan,” a satirical horror that comments on consumerism and gender roles, and “Beneath the Skin,” a surreal exploration of aging and mortality. These works have been showcased in prestigious venues, including the Museum of Modern Art in New York and the Centre Pompidou in Paris.

As a prominent figure in the video art scene, Condit has collaborated with a diverse array of artists and thinkers, bringing her unique perspective to broader audiences. To name a few: Barbara Hammer, renowned for her experimental films; Carolee Schneemann, an interdisciplinary artist; Vito Acconci, an influential performance artist; Laurie Anderson, a pioneer in electronic music; Tony Oursler, known for his multimedia installations; Miranda July, a multifaceted artist and filmmaker; Bill Viola, a leader in video art; Pipilotti Rist, famous for her video installations; Paul McCarthy, recognized for his performance art; and finally, Ana Mendieta, acclaimed for her earth-body art.

Over her career, Condit has received numerous recognitions for her contributions to video art and academia. She has been a recipient of the Guggenheim Fellowship, which allowed her to expand her research and creative endeavors. She also received a grant from the National Endowment for the Arts, which played a pivotal role in funding some of her most iconic works. Her films have been screened at international festivals, gaining her a devoted global following.